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Let's say you’ve decided to enrich yourself by learning to appreciate classical music, even though you didn't have much previous interest in it. Such a resolution is hardly uncommon, but acting on the aspiration requires you to value an activity that you don't yet know how to. In this video, Agnes Callard, associate professor of philosophy at the University of Chicago, borrows from her book Aspiration: The Agency of Becoming (2018) to put forth a solution to this paradox centred on understanding our current and future selves as inexorably bound through the act of aspiration. Further, she argues, in resolving this paradox, we can understand ourselves as responsible for the act of self-creation – and, by extension, for our own morals and values. This video is part of the series Into the Coast, which sets out to capture philosophy as a ‘living discipline’ through interviews with leading academic philosophers.By Aeon VideoWatch at Aeon

I’m a lifelong dancer and a political theorist. ‘Work’ and ‘thinking’ in one part of my life are entirely physical, while in the other part they’re wholly intellectual. For most of my career, dancing and academic research were two separate but equally weighted spheres. However, over the years, I ...By Glory M LiuRead at Aeon

For Albert Einstein, being Jewish and German were not questions of identity but rather mutable matters of identificationBy Michael D GordinRead at Aeon

The South Korean violinist Hyung Joon Won has held a singular – and perhaps quixotic – dream for the past seven years: a joint concert by North and South Korean musicians at the world’s most contentious border. At 160 miles long and 2.5 miles wide, the Korean Demilitarised Zone (DMZ) separates the two countries at the 38th parallel. On this narrow strip, the threat of all-out war hangs heavy – and anyone with a violin case or a film camera gets short shrift. The South Korean-born filmmaker Catherine Kyungeun Lee follows Hyung Joon as his plan for a show of peace at the border teeters between success and collapse, at great personal cost to him. Filmed in 2015, her documentary traces the confluence between fraught geopolitics and all-too-human struggles on the peninsula. Lee is now directing two documentaries in East Africa. One tells the story of a child-soldier who became a Harvard graduate and activist who was jailed in South Sudan, and the other follows the woman in charge of realising Somalia's first democratic election in 50 years, despite seemingly insurmountable opposition.By Aeon VideoWatch at Aeon

A few years ago, one of my students came to me and spoke about her mother who was undergoing treatment for breast cancer. She said her mother was losing her memory and her bearings, and was very worried because nobody knew what to do about her symptoms. The oncologist sent her to the psychiatrist...By Anton IsaacsRead at Aeon

Marc Lasher works as an addiction medicine specialist but, between his regular appointments, he oversees a clean-needle exchange on the streets of Fresno County in California, out the back of a modified school bus. Lasher’s decades-long dedication to public health is all the more impressive considering that his programme was illegal in the state until 2012. In the wake of the opioid epidemic, his approach – addressing drug addiction as a matter of public health rather than criminality – has only recently come into favour in much of the United States. In this acclaimed documentary, the US filmmaker Elivia Shaw follows Lasher and a team of young volunteers as they provide people coping with addiction with clean needles, as well as basic medical care and referrals to specialists and detox centres. The result is both a moving testament to Lasher and his team’s selfless work and a damning indictment of a healthcare system in which unaddressed health issues, costs and the physical and emotional tolls of poverty compound each other relentlessly.By Aeon VideoWatch at Aeon

Marriage is practised in every society yet is in steep decline globally. Is this it for longterm intimate relationships?By Manvir SinghRead at Aeon

Theories of perception are heavily tilted to the visual: we have much to learn from our surprisingly acute sense of smellBy Ann-Sophie BarwichRead at Aeon

Resistance is a human right. This is why the preamble of the Universal Declaration of Human Rights states that people will be ‘compelled to have recourse, in the last resort, to rebellion’ if human rights are not respected, and why the defence of human rights framed in many United Nations resolut...By Gwilym David BluntRead at Aeon

‘I decided it was OK to have fun with my body … I probably have more balls than anybody!' Jim Hall worked in urban development for four decades before retiring as the principal city planner of Baltimore. Aged 78 and beginning to feel some of his faculties slip, he is planning a move to Texas to live out his final years. These unremarkable details of his biography might seem at odds with his unique look – most conspicuously, the blue tattoo covering almost every inch of his skin. But despite the unusual choices he's made to modify his body – including some unusual, intimate augmentations hidden from view – Hall's outlook on life is deeply practical, centred on playfulness and an enduring sense of gratitude for what he sees as the incredible gift of being a human. With a palette that complements Hall’s own chosen colours, this short documentary from the US directors Jonathan Bregel and Steve Hoover finds wonder and wisdom in a man who is as hard to define as he is plain-spoken and pragmatic. By Aeon VideoWatch at Aeon

My great-great-uncle, Matt Plunkett, was the sheriff of Deadwood, South Dakota, back in 1906, when Buffalo Bill Cody came to town. One picture shows moustachioed Sheriff Plunkett with Buffalo Bill next to a statue of Wild Bill Hickok, who’d been killed decades earlier over a poker dispute in a lo...By Leah PlunkettRead at Aeon

It was one terrifying, exciting night of delusions, hallucinations and paranoia. What would it teach a future psychologist?By Tom HartleyRead at Aeon

Replika is a chatbot that was launched in 2017 with the aim of offering users emotional support – or, as the company’s advertising copy puts it, becoming their ‘AI friend’. To give users a personalised experience, the deep learning bot gathers information about conversation partners by asking them questions, adapts to their conversational style and, over time, attempts to mimic them. Beyond companionship, Replika’s creators believe that the technology could eventually serve as a conversational stand-in for deceased loves ones. In Soft Awareness, Anastasia Sif Karkazis, a Danish film student and co-director of the film, engages in a series of conversations with Replika, drifting between a series of loosely connected subjects – including art, dreams and identity. Throughout, the exchanges seem to teeter between meaningful and unintelligible, offering a window on Karkazis’s inner world, how Replika ‘understands’ her, and the many hazy areas in between. Beneath the surface of these uncanny exchanges, larger questions about privacy and the contours of intimacy between humans and AI slowly emerge. Via LabocineBy Aeon VideoWatch at Aeon

For better or for worse, luck can sweep in from nowhere and alter our lives. You might cross the road and get hit by a car, or you might end up bumping into someone who turns out to be the love of your life. One natural way of thinking about luck is that it happens to us. Things – unexpected and ...By Jake WojtowiczRead at Aeon

We are demigods of discards – but our copious garbage became a toxic burden only with the modern cult of ‘disposability’By Gabrielle HechtRead at Aeon

The owl watches you from the raised seat on the medieval misericord in Norwich Cathedral in the east of England. Surrounding the owl are birds with feathers like the scales of a pangolin. The birds are focused on the owl. The owl pays them no mind. The motif of this scene would have been familia...By Erika Harlitz-KernRead at Aeon

Quick-fix psychotherapies have been hailed as the gold standard. But depth therapies can be far more enduring and profoundBy Linda MichaelsRead at Aeon

According to Russian legend, in the 13th century, the mythical city of Kitezh was on the verge of being ransacked by Mongols when its residents began to pray. In an instant, water spouted from the earth, at once submerging the city and protecting Kitezh from invaders. Today, in the Nizhny Novgorod region, Lake Svetloyar – the body of water that Kitezh supposedly sunk into – is a tourist destination for both the faithful and those simply wishing to enjoy its beaches. The flow of visitors, however, barely touches the small town of Vladimirskoye just a kilometre away. In Kitezh-Vladimirskoe, the Dutch photographer and filmmaker Pieter Ten Hoopen depicts town life in a series of intertwining tableaux – baptisms, kids on their bikes, old men shouting from windows – all suffused with a comically incongruent soundtrack. It's an offbeat, charming portrait of a place, like a series of moving postcards from an ordinary town off the tourist track.By Aeon VideoWatch at Aeon